In the fourth picture, we have the same Mardi Gras theme with a carefree, bathing-suit clad woman holding a wine glass and celebrating. One of the themes that I find so fascinating about all of these pictures, is the paradox between celebration and despair, life and death. Although we may think of these as polar opposites, they are actually more related than we realize. In fact, a synonym for the word celebrate is to honor or memorialize. Again, bringing forth the fact that this project is a tribute to fallen band member, LeRoi Moore.
In the fourth picture, we have the same Mardi Gras theme with a carefree, bathing-suit clad woman holding a wine glass and celebrating. One of the themes that I find so fascinating about all of these pictures, is the paradox between celebration and despair, life and death. Although we may think of these as polar opposites, they are actually more related than we realize. In fact, a synonym for the word celebrate is to honor or memorialize. Again, bringing forth the fact that this project is a tribute to fallen band member, LeRoi Moore.
In the first picture, there is a bird that seems to have been released by a man on the roof. Interestingly, the bird's shape is a cross (which can be interpreted in a religious way, or as a symbol of the four directions), and looks like a dove.
Whether this paradigm suits you or not, there's no denying that The Dave Matthews Band is where they are meant to be.
Charlotesville, VA, the birthplace of Dave Matthews Band and common stay for the band at venues like the Floodzone and the legendary Trax nightclub through the early 90's. This was just the beginning for the former bartender.
The Prism Coffeehouse was another historic landmark in Dave Matthews' journey to stardom and sold out stadiums. Through the Prism's 40 years, Dave graced the stage a handful of times, yet never with the band, he delivered some memorable performances.
The Prism was founded by a group of UVa. students in 1966. Up until the mid-70's, the Prism remained a popular venue for local and regional folk performers, many long-forgotten, but Joan Baez once stopped in to introduce her friend Bob Dylan. In 1972 a rising young singer and guitarist from Washington D.C. named Emmylou Harris played at the Prism for the typical .75¢ cover.